I describe it like breaking the sound barrier. And when you shorten the length of a connected clip, the way the entire timeline “rolls” in unison can seem disorienting.īut trust me, there will come a time when eventually it’ll click for you. Getting used to clips snapping up to your playhead is often off-putting. Admittedly, the Magnetic Timeline is confounding if you’re used to traditional track-based editing. Ironically, the feature that causes the most consternation for editors is the one feature that I believe makes it stand head and shoulders above the rest. Well, I want to share with you the top ten reasons that I believe should put that belief to rest. Then again, there are those who don’t use it because they have bought into the false notion that Final Cut Pro X is not a “professional” NLE.
HOW MUCH DOES FINAL CUT PRO COST FOR MAC UPGRADE
there was no upgrade path from version 7 and the legacy version was “End of Life’d” at the same time that Final Cut Pro X was released), that many editors today refuse to use it on principle. So angry they were at extreme changes Final Cut Pro had undergone, and the way in which the transition was handled (e.g. I’ve read comments on sub-Reddits where editors have admitted as much. It’s just “iMovie Pro” some still say.īelieve it or not, some people still poo-poo the NLE not necessarily because they think it’s not capable, but because they are still hurt.
To this day, ten years later, I still read comments from editors who claim Final Cut Pro X is not for professionals. However, hop on any sub-Reddit, Facebook group, or any other forum for professional editors, and you wouldn’t necessarily know it.
HOW MUCH DOES FINAL CUT PRO COST FOR MAC SOFTWARE
As any professional editor who uses the program will tell you, the “legacy” version of the software pales in comparison to the power and speed of Final Cut Pro X. I can’t help but wonder if the engineers over at Apple didn’t have this phrase in mind when they took to rebuilding Final Cut Pro from scratch. The famous late 70s TV show “The Six Million Dollar Man” had a famous line from its opening credit sequence: Nothing could have been further from the truth. And perhaps the greatest change of all was that magnetic timeline.Īfter nearly a decade of slowly becoming a formidable competitor in the NLE space, this new version seemed like it was some kind of tacit announcement that Apple was abandoning the professional market. Key collections replaced “Bins.” Tracks were completely eliminated. On top of that, it adopted an entirely new paradigm for how it worked. Many of the core features that were popular and used frequently in Final Cut Pro 7 were not in Final Cut Pro X when it released. As promising as the announcement was, two months later when the new version was released, perhaps not even Apple could have predicted the blowback.
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